Interview:
John Scalzi
Part
1.5
By
Chris Large
WARNING – CONTAINS SPOILERS
OF EPIC PROPORTIONS
John,
in your latest book, Lock In, remotely
controlled robotic bodies called threeps are developed to give those suffering
the ‘locked in’ form of Haden’s Syndrome a greater degree of freedom. It
basically allows sufferers who are trapped in their own bodies to interact with
the world, but the long game of the corporations is for the technology to be
used to give older people more freedom of mobility. Do you see this as humanity
simply trying to avoid getting old? Or are you suggesting this type of
technology could be the next step in our evolution?
I don’t want to use the phrase “next step
in our evolution”. I think that’s a loaded phrase. But say if you were 75 years
old and your mobility had been compromised simply by being 75. Your knees are
shot, you might be overweight, or you might have a bad back or anything that
makes it more difficult for you to do the things you used to do. Then you get
offered the ability to have this robotic body that basically allows you to go
around like you’re a twenty year old. Why wouldn’t you do that? You wouldn’t necessarily
use it every day, but if a group of friends wanted to go mountain climbing in
Yosemite, would you take the 75 year old body, or would you take the android
body? If you get the full sensory experience from the android body I’ll take
that and stand at the top of Half Dome and go “Yep, here I am.” Because you are
not limited to what your body can do.
For me it’s a no brainer that anyone would
want to use this technology if it was possible to use it. I don’t see it as
evolution any more than glasses are evolution. In the book, the reason the
Threeps are used exclusively by the Hadens is that in order to use it you need
to get a neural network and brain prosthesis which is highly invasive. When I
was world building I kinda thought of it like this: liability would be insane
because you put this stuff in someone’s brain and what if something goes
completely haywire? Your company’s going to be sued. Whereas somebody who is
already locked into their own body is willing to accept that risk. So that was
part of my world building as to why one group would have this technology but
not others, but eventually other groups are going to want that opportunity and
the companies that are addressing the Haden market would want to address the
rest of the market because the rest of the market is so much larger. It’s not
just the Haden’s sufferers. It’s everyone because everyone gets old.
Moving
on to your Lock In protagonist:
Rookie FBI agent Chris Shane, Chris’ skin colour isn’t an issue for most of the
book. As we discussed earlier on, if something doesn’t need to be described,
why describe it, right? Chris is suffering from Haden’s Syndrome and is locked
into his body but then a third of the way through the book it becomes clear
that he’s black. We also said earlier that the reader will make assumptions if
things aren’t spelled out for them and I made the default assumption of white
male.
I wanted Chris’ parents to be interesting
and in this particular case it just seemed the way to go. I didn’t really give
it too much thought in terms of building it. I knew I wanted Chris’ dad to be
an athlete. I knew I wanted to reflect the trend here in the United States in
terms of who marries who. So I didn’t think that 40 years into the future
anyone was going to think anything of it one way or the other. The funny thing
to me actually, is that we’re talking
about Chris, and you’re talking about Chris as a he.
Yes,
I was. And you know what? You totally got
me. I did not even question it [Chris’ gender] until the end. This is going
to contain massive spoilers and I don’t know how we’re going to put this into
the interview, but I read the protagonist as a white guy, right? But then when I went onto a forum after reading Lock In and was asked if I read Chris as
a girl or a guy, I was like “What? No! He
did not just do that!”
I did it for a couple of reasons. First, in the context of the world I was
creating it was something that could be done. Second was the writing challenge
of “How far can I get away with this?” It helped that Chris is written in first
person so Chris does not have to reveal gender one way of another.
People’s
apprehension of Chris is not going to be “He did this,” or “She did this,” so
that made it a little bit easier. But really I just wanted to see if it could
be done and whether people would pick it up, because that was part of the
writing challenge for me. Dropping in the fact that Chris’ dad is black and his
mum is white, so he’s actually bi-racial, would make people question their own
assumptions because they’ve been thinking of Chris as a white dude because
that’s the default so I knew that would be a jostle. I didn’t necessarily want
Chris’ gender to be a jostle. I didn’t want that to be something people thought
about until they closed the book and they went online to discuss it with other
people and it was brought up by someone else. And I’m really happy about the
fact that not only did I get it past a lot of readers, I got it past my editor! And when he read it he was like
“Oh, this is great! Blah blah blah blah blah.”
And I was like, “Great! What did you think
of Chris?”
And he said “Well, you know, he was a
really good character. It was really interesting what you had him do.”
And I said, “Well, why do you think Chris
is a he?”
And Patrick was like, “Oh! My God!”
Well,
I’m glad I wasn’t the only one.
You should not feel bad. I had about
twenty first line readers and really only one of them said, “Hey, I noticed
that you’re not using pronouns. Is there a reason for that?” So there was really
only the one person who noticed it. I mean my wife, when she read it, she
naturally slotted Chris as a woman. And it’s been interesting to me how the
breakdown goes.
Almost all men see Chris as a dude, right? Half of women see
Chris as a woman and half as a man. Part of that speaks to what our defaults
are. I don’t describe a lot of my characters, how they look, unless it has a
very specific bearing on the story so there’s no reason they couldn’t be
whatever racial composition you wanted them to be. But almost everybody
defaults to white, regardless of what race they are because that’s what we’re
all so used to. So not describing people is not necessarily the same as having
[diverse] representation, right? In this case the reason I did it this way was because
I wanted to – in a very non-judgemental, not get-on-your-soapbox, way – have
people think about what their implicit biases are after they’ve enjoyed the
story and invested themselves in it and have it be non-confrontational. I’m not
pushing them to think a certain way. You can get all the way through it without
thinking about it one way or the other, and then you can talk about it. People
ask me, “Well, is Chris a man or is Chris a woman?” and it’s like I literally
do not know.
It’s entirely possible that Chris is
neither. Chris could be intersex for example. Or, alternately, because Chris
has spent an entire life using a threep, a lot of the gender expectations that
are implicitly put upon us would not be put on Chris, because no one’s going to
necessarily put a cute little pink sun bonnet on a threep or say that a threep
can only play with particular toys or whatever. All the cultural baggage to do
with masculinity and femininity won’t necessarily apply to someone in Chris’s
situation.
So what that means is, let’s suppose for
the sake of this particular discussion that Chris is female. Chris will not
have the same gender pressures that a typical woman would. She would not have
to conform to gender roles or to sexual roles. I mention in the book that Chris
had a romantic relationship in college, right? I don’t specify with whom, but
even if Chris was a woman and had a relationship with another Hadan who was
also a woman, would they think about it in the same sort of gender/sexual
sphere that the rest of us would, particularly when they live their entire life
in a world where gender roles are not necessarily imprinted in stone?
One of the really interesting reviews said
that I was just assuming that all the Hadens and all the threeps would have
completely blank slates in terms of culture and gender and sexual and that
wouldn’t always be the case and I think that’s absolutely accurate. So this
what I’m thinking about when I’m writing but if this stuff starts oozing all
over the story it’s not necessarily a good thing because fundamentally I want
people to enjoy the story and not feel like they’re being lectured to, or that
I’m saying “Hey! Look at this great utopian vision of gender and sexuality I’ve
created!” Because... it’s not. So all that is there for people to explore
later. Stuff about gender and sexuality. Stuff about disability culture, which
is a whole other topic. It’s all there to be part of the world. It’s all there
to be explored and unfolded and discussed if you want. But if all you want is
the murder mystery you can go straight ahead with that.
Just
to get back to the threeps, in the world of Lock
In they don’t have any super-human abilities. In fact they’re quite
fragile. If they get shot, they fall over like anyone would. From the point of
view of the FBI, or on the policing side, why didn’t you give them any special
abilities like armour plating, or speed, or strength?
I think there were a couple of issues. The
first was you want them to be non-threatening. They don’t constitute a robot uprising
because they don’t have any particular special abilities. But it’s also the
simple fact that the majority of people using threeps were not born into a lock
in situation. They were used to having human bodies. I think people
underestimate the problems you would have adjusting to a body that was
substantially more powerful than the ones they already have. The fact of the
matter is, if you used to pick up a can...
*John picks up a soda can from his desk.*
Just by using an action like this. If you
gave me a body that was four times as strong, I make the same action and this
happens...
*John crushes the soda can with his bare
hands like a boss*
Sure
okay.
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